![]() I’ll spare you the details of the entire battle. The firesword maneuver, by my count, is the second acceptable thing Melisandre has done on this show, and I salute her for it. I despise battle episodes, but the panning shot of those swords lighting up in the darkness is glorious. plant bulb, like a weed enthusiast trying to establish a mood.Īs the phalanxes stand stock still, looking tough, who should saunter up on horseback but the ninety-per-cent tedious and ten-per-cent fantastic Melisandre of Asshai, spooky wielder of fire magic? She has Jorah tell the Dothraki army to lift their swords, then says a little High Valyrian hocus-pocus, and blammo-the army’s swords burst thrillingly aflame, à la Beric Dondarrion’s. The lights are off in Westeros, and there’s nothing I can do in New York to improve it. Grey Worm dons his creepy helmet, Bran gets rolled out to the godswood, I frantically adjust the lighting in my living room. It was a bloodbath ending in ice chips, and we emerged feeling good.Īs the episode begins, in the quiet predawn hours at Winterfell, dread is all around: black skies, black hearts, might lose. But in the end we did O.K.-no dead Lannisters or Starks or Briennes of Tarth. It was all quite ghoulish and weird, just as “Game of Thrones” has encouraged us to become: the grunting ice zombies to its Night King. ![]() Some felt they could sacrifice Grey Worm or Davos Seaworth, as long as they could keep Brienne or Tormund. He had a rough life, a grim groin situation, redemption, and a tender bowl of soup with Sansa. Theon, some of us reasoned, would be fine to give up. We’d have to lose a bunch, logic went, some painful. In the days leading up to the “Game of Thrones” undead apocalypse at Winterfell, many of us wrestled with which characters we were willing to lose.
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